The story covers a twenty-two-year period starting from 1560. Yaga is the immortal daughter of a goddess and a human; centuries-old, but with the appearance of a young, attractive woman. She lives in Little Hen (a hut on chicken legs) with her owl and wolf in the northern woods, surrounded by the skulls of dead animals, beside the passageway to the Land of the Dead. She mistrusts people, as they mistrust her, but always offers help and healing as needed.
One day, Anastasia, the tsaritsa and wife of Tsar Ivan IV of Russia, requests help with a mysterious illness - it turns out she is being poisoned. Yaga travels with her to Moscow to keep her safe, but Anastasia's enemy is far more powerful than either of them realise...
The Witch and the Tsar is a clever, well-written story that weaves traditional folklore through a violent period of Russia's history. As I'm not familiar with the folklore, I found this part hard to follow at times and would have loved more detail about the different supernatural worlds and 'kingdoms'. There is a lot happening in this book (wars, uprisings, massacres) and it could have been split into two, to do full justice to the story. I was not as interested in the politics and battle scenes as I was in the magic realism of Yaga's world, her spells, rituals and potions, and her relationships with Konstantin and Vasily.
The Witch and the Tsar didn't quite work for me, but I can see that it might appeal to fans of Katherine Arden's Winternight trilogy and Naomi Novik's Spinning Silver.
Thank you to Olesya Salnikova Giomore and HarperVoyager for my copy of this book, which I requested via NetGalley and reviewed voluntarily.
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